The
top bay has ins/outs to compressors and other outboard gear. The next (with
the green tape) is track outputs (top jacks) normalled to channel inputs
(bottom), and also the pre-fader main stereo insert points normalled
to the mixdown station (usually a DAT machine as A-D converter followed by
the Mac running Sound Designer II). Most of the bottom patch panel is dominated
by male XLRs that were wired to mic inputs in the various rooms at the Grand
Avenue studio location.
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